- Opening mind by opening architecture: analysis strategies (2024) — paper (ICSC 2024,
Vienna)
- Archeotopologie: implementazione critica di memorie senza colore (2024) — paper (CIM
2024, Torino)
- Fragments of Extinction — A New Recording Approach in Primary Equatorial Forests (2014) —
Ecology & Acoustics, MNHN Paris
- Infinitum Delayrium (2022) — serial multi-delay AUv3
- MolochVox (2021) — pitch/frequency-shifter suite (5 AUv3)
- MoDelayrium (2021) — 10-plugin suite (chorus/flanger, doppler, reverb, delays, filters)
- Dystopia (2020) — modular distortion AUv3
- RealDelayrium (2019) — parallel multi-delay AUv3
- Delayrium (2019) — parallel multi-delay (Mono/Stereo/UNUS)
- Esoteric Synth (2019) — generative/additive/granular synth
- MonoGranulator (2018) — granular synthesis (Standalone + AUv3)
- SSM — SoundScape Manipulation (2014) — time/frequency transforms (Csound/SC). Used in “Il
limite della simbiosi”, “Piano Selvatico”, “Dusk Chorus”
- Animal Construction (2015) — model-based animal-sound synthesis (Csound/SC)
- TinSound (2015) — composition engine from Tin’s physical params; ambisonics
(SuperCollider)
- Sound of Mafia (2015) — data sonification of confiscated assets (Italy)
- Metatron (2014) — geometric/additive/granular/PM synthesis (SuperCollider)
- Human Atom (2014) — ambisonic manipulation for “Beyond the Human Atom” (SuperCollider)
( )
- Chromatographic Sound Modelling (2012) — theoretical sound modelling for chromatography
(Csound)
- Vocal Resonator (2012) — acoustic simulation for “Salomè” (Theatre of Fano) (Csound)
- Pentagranulator (2011) — real-time granular tool (Csound)
( )
- Content creation pipeline (2019–2020) — spectrograms, image resizing, video editing
(Processing, MAX/MSP, JUCE/C++, FFmpeg, GLSL, Premiere, Millumin, GIMP)
- System integration (2019–2020) — Dante, DMX devices, 24K projection (Reaper/Millumin)
- Forced-air control (2019–2020) — browser/DMX control for internal air recirculation
- Eco-acoustic theatre @ Naturama (2017–2018) — content editing & show control
(scripts/Millumin)
- Binaural playback mgmt (2016) — ambisonic→binaural, show control (OSC, Reaper,
SuperCollider)
- Female Child System — Imprisonment (2024) — ICMC Seoul; ICSC Vienna
- Electric Sound 2024 (Bari) — “Lo stato del disordine delle cose”
- International Music Day (2023, EAMT, Estonia) — performance
- ISAC-2023 — Sonosfera®, finalist short list
- ICSC 2022 (TUS Midlands, Ireland) — “The Limit of Symbiosis”
- “Chimica e Musica in viaggio con Dante” (2022, Torino) — Teatro & Scienza
ì
- “L’albero dell’asilo” (2019, Pesaro) — electroacoustic installation/concert
- ICSC 2019 (Teatro di Cagli) — concert appearance
- SF Sound (2019, San Francisco — Victoria Theater) — tape music
- Csound30 (2016, Maynooth University) — concert
- Piano Selvatico (2016, Pianpicollo Selvatico) — residency & installation
- Liquidi Volumi — “Lampi sull’Eni” (2016, Roma) — multichannel performance
- Beyond the Human Atom (2014, Québec) — residency & ambisonic installation
- LAC @ ZKM (2014, Karlsruhe) — “Through the space of crying”
- Ken è morto (2017, Roma) — composition + software for sound manipulation (Carrozzerie
N.O.T.)
- La perdita (2016–2017, Palermo / Ascoli Piceno) — electroacoustic composition + software
- Ananke (2015) — music & sound design for film (Arcopinto / Kio Film)
- Osservazioni del vento… (2014, Pesaro — Hangartfest) — electroacoustic composition for
contemporary dance
- Meteophonie (2013, Pesaro — Quatermass) — sonification + live electronics
- La Fuga (2013, Festival Ville e Castella) — electroacoustic adaptation (with Nobel
laureate Gao Xingjian)
- Soundwalk — Percorsi Cittadini (2012–2013, Pesaro) — binaural field-recording &
guided soundwalks
- Erratica #1 (2012, Conservatorio Rossini) — sound installation
- Erratica #2 (2012–2013, Gubbio — Parco Ranghiasci) — sound installation
- Salomè (Oscar Wilde) (2012, Fano) — software & live electronics; music/sound
direction by D. Monacchi
- Bestiario filologico e fantastico (2011–2012) — conference performance with Ermanno
Cavazzoni
- De Divina Proportione (2011) — ambisonic spatialization assistance; binaural recording
(Sorini/Monacchi)
- URLO — Urbino Laptop Orchestra (2011) — software/live electronics; various
concerts/micro-festivals
- The Stuff Is Here — Peppers and the Jellies (2019) — recording, mix, mastering
- L’Equilibrio dei Numeri Primi — Metanoia (2019) — recording, mix, mastering — Artis
Records / Cramps Music
- Nel Vivo — Camilla Dell’Agnola & Valentina Turrini (2018) — field rec & editing
(A. Di Furia); mix/master (D. Monacchi) — TUTL
- Sinfonico — P. Di Sabatino & Orchestra Sinfonica Abruzzese (2018) — mix/master —
Incipit
- Trii (Ferroni/Zandonai) — Venturi/Scarponi/Venturi (2017) — multitrack assist + full edit
— Teatro di Todi; Discantica
- The Place Between Things — Jano (2017) — sound design, composition, rec/mix/master — Via
Veneto Jazz
- Baadaye Pinocchio d’Africa — P. Di Sabatino (2017) — mix/master
- Trace Elements: Electric Trip (Live in Teramo Again) — Di Sabatino / Galvez / Chambers
(2016) — rec/mix/master — Nicolosi Distribution
- Sinking Lads — EcP (2016) — rec/mix/master
- The Warm Feeling of Cold — Alex Paolini (2013) — sound design & composition;
rec/mix/master
- Itinerari Sonori 2020Donatella Luttazzi (“Omaggio a Elio Luttazzi”) — Pineta di
Bellante (Riccittelli, Teramo)
— PA setup &
FOH engineer
- Itinerari Sonori 2020B&B Duet (I. Mottola & E. Strino) — Pineta di Bellante
(Riccittelli) — PA setup & FOH engineer
- Itinerari Sonori 2020Gianluca Guidi & Dea Trio (“Ciao Frank”) — Pineta di Bellante
(Riccittelli) — PA setup & FOH engineer
- Itinerari Sonori 2020Rosalia De Souza & P. Di Sabatino — Pineta di Bellante
(Riccittelli) — PA setup & FOH engineer
- Gospel 2019 — Pastor Ron Gospel Show — Teatro Comunale, Teramo — PA install + FOH
engineer
- ICSC 2019 (5th Int. Csound Conf.)— Cagli — PA install, FOH, supervision & composer
support
